Showing posts with label INTERVIEW REVIEWS. Show all posts
Showing posts with label INTERVIEW REVIEWS. Show all posts

Tuesday, December 11, 2018

Live Review: GRAPEVINE GATHERING @ Roche Estate

Ahhhh, ‘tis finally the season for Frosty Fruits and unwarranted day drinking, otherwise known as Aussie summer. The days of sucking down soup while freezing your nips off under a thousand blankets are goneskies! It’s time to whip out those calves and douse your face in glitter, because that ALSO means its Music Festival Season! Woohoo!
I got to start my fezzie season early this year by heading out to Grapevine Gathering in the Hunter Valley. The event has only been happening for a couple of years, and well I can officially say that losing my Grapevine virginity was beyond riveting. It was honestly such a cracker of a day, mixing together beaut bands, wonderful sunny weather, and of course the most important thing of all: wine.

The bus queue in Newy was ginormous, which meant we got to the festival a little later than expected, but it gave me and my mate time to finish an extra cider so all was still well. When I eventually jumped off the bus at Roche Estate, I was overwhelmed with a variety of emotions. The main one being panic as I was dangerously close to pissing myself thanks to that damn last minute cider, but I was also feeling very excited to see some sweet live music! Once I’d finally emptied the tank at a toilet across the road, we waltzed our way into the beautifully vibrant venue. There were so many fun things to look at! We had huge bunches of grapes on either side of the stage, two giant goon sacks, a blow-up DJ church, some questionable punter outfits, and a whole lotta vines! There were also a record number of bars around, so that was definitely a plus.

The first act we caught was Brisbane singer JOY. Well this lovely lady truly did live up to her name, injecting musical happiness into everyone’s souls with her gorgeous songs. There were a lot of people milling around the festival by this point, but not many of them were in front of the stage (this was because of the scorching devil sun though, not because people didn’t like the music). She played chilled out tunes such as ‘About Us’ and ‘Smoke Too Much’, before handing over the stage to music producer Dom Dolla.

Dom’s music was obviously quite a change of pace from JOY.’s mellow melodies. He immediately transformed Roche Estate into a mean, green party machine by throwing on remixes of multiple current bangers. His song transitions were smooth and groovy, amping up the chill atmosphere and drawing people to the front. The air’s temperature was climbing by this point, and man were we all feelin’ it. I had to ditch the d-floor after about ten minutes because I was soaked in sweat, but the rest of the glistening crowd were total Weather Warriors, bopping a little harder as Dom dished out original songs like ‘Take It’ and ‘You’. He left the stage with a massive smile and an incredibly grateful (and exhausted) audience.

Young Franco was up next, continuing the day’s dancey vibes. He looked ridiculously happy behind those decks, swaying his lanky limbs about in the cutest way possible. The sun was getting evil now, baking the crowd into one giant delicious, glittery party pie. Apparently hotter weather gives males the perfect excuse to peacock around with their sweaty torsos on show, I mean shirts were honestly dropping at a quicker rate than the bar’s grog stock. I find it ironic that they take their clothes off to survive the heat, when actually it increases their chances of ruining their sculpted bods with mass amounts of sunburn? Speaking of, my poor womanly chest copped such a sun-beating it decided to turn a shade of red that can only be compared to the colour of a general waste bin lid. The winery did have lots of free sunscreen and a nice number of umbrellas set up though, so my scorched skin was relatively self-inflicted. Young Franco threw us all lots of bangers throughout his set, including ‘About This Thing’ and ‘Miss You’, before closing out with huge hit ‘Drop Your Love’.

It wasn’t long before T-Kay Maidza hopped on up, jumping around her floral-laden stage like a beautiful musical bunny. Her drummer was great to watch, whacking his head around almost as hard as he was whacking the kit. We were standing really close to the front for a while, but the temperature was turning us into a pair of sultanas so we took a breather to source some food. Venturing up to the food truck corner was a grape decision, with the chicken-loaded fries filling an incredibly empty void in my being (otherwise known as my stomach). T-Kay played all the right hits, such as ‘M.O.B.’ and ‘Simulation’, providing a fun backing playlist to our greasy dinner.

Melbourne band Miami Horror hit the field next. The sun had dipped a lot lower by this stage, and thank god for that, because it encouraged all us heat-sensitive suckers to join the main crowd again. I hadn’t listened to much of their stuff before, and Christ do I feel like a fool, because they are SO DAMN FUNKY. Everything about them was perfect to witness: their outfits, their stage movements, their facial expressions, their music! Wow so good. People were losing their minds over the tune ‘Sometimes’, and shook their burnt butts along to fun song ‘Holidays’. I was also a huge fan of the high-held bass and super colourful lighting. Miami Horror are horrifically impressive guys, put on a bold shirt and go see them ASAP.

Ok so it was getting dark now, and we had pushed our way into the thick of the crowd because it was time for one of my FAVE live acts to mount the stage. The lights dimmed, the kookaburra soundbites sang, and on walked the grooviest guys in Australia, my absolute loves, Client Liaison. I wish I could just paste in a drooling face emoji alongside a sparkly love heart and leave it at that, because that’s exactly how I felt throughout their entire performance. The whole stage was ablaze with 80’s inspired couture, from Monte and Harvey’s sublime vibrant suits to the giant water coolers on either side of the stage. They played belter after fricken belter, with songs like ‘Survival in the City’, ‘Feed the Rhythm’, ‘Where Do We Belong’, and ‘Off White Limousine’ rattling my body into a vicious boogying mess. Harvey rocked the keytar for most of the set, while Monte whipped out the didgeridoo for a glorious minute and a half. They finished up with ‘World of Our Love’, turning the entire festival into literally just that. Ugh so incredible.

The day was almost done, we had one act left to see, and boy, were they a grouse one. We managed to park ourselves next to a bin near the side of the stage, mainly to disguise our smelly armpits, but also to acquire a decent view of the next band. When The Wombats finally ran on, there was absolute pandemonium. In fact, I’m pretty sure I’m still suffering from tinnitus after hearing such mind-spasming crowd screams. It was all worth it though, because The Wombats have been a favourite band of mine since their early A Guide To Love, Loss & Desperation era. The Liverpool-based boys sound so awesome live, with Murph’s pommy voice ringing true in every tune! Every single person at Roche Estate was there to see the set, with songs such as ‘Give Me A Try’, ‘Techno Fan’, ‘Cheetah Tongue’ and ‘Moving to New York’ inspiring some relatively savage dance moves. My heartstrings were royally plucked as they played ultimate sing-along ‘Let’s Dance to Joy Division’, and the entrance of giant wombats was a highlight also. Murph gave a lovely speech stating that it was their last live song of the year before concluding with ‘Greek Tragedy’, and I’d like to think we made it an extra special one with our enthusiastic response!

Usually my review would end there, but I actually have an extra little anecdote to finish off my Grapevine experience. Ok well the bus lines leaving the festival were surprisingly super swift, so I was feeling very confident about getting home at a reasonable hour after hopping on a coach within record transport time. About twenty minutes into our trip, however, I realised we were revving at a standstill. What on earth was going on you ask? Well, turns out our driver had gone and bloody gotten us stuck in a ditch down some sketchy dirt road! So off we all jumped and walked back down to the main road where we sat like a pack of well-dressed hobos for a little while. All of a sudden, a bus with the words ‘Livin’ The Dream’ printed on its screen rises from the murky distance. Alas! Our knight in white panelling! We all got on the bus, convinced that we’d been saved, until someone noticed about twenty minutes into THAT trip that we were heading in a weird direction. Apparently our first driver told our new driver that we were going to bloody Sydney! SYDNEY! I mean can you imagine?!

Live Review: NECK DEEP @ 170 Russell

Back on Australian shores for the second time this year, Neck Deep have spent the last week headlining shows across the nation. After wrapping up a world tour earlier this year, the boys decided they weren’t finished with The Peace & The Panic era and proceeded to announce another round of world tour dates. Recently celebrating 6 years since their first ever show, it’s surreal to see just how much they have accomplished in just a few years. The Peace & The Panic charted at no.8 on the ARIA charts when it was released back in August of 2017.
Stateside, Between You And Me & Stand Atlantic were in my opinion the perfect trio of support acts for this tour. With a cover of Avril Lavignes’ Sk8r Boy, crowd dives and santa hats, they definitely got the crowd geared up for Neck Deep. It’s so good to see internationally renowned bands supporting our local Aussie scene.
Neck Deep finally hit the stage with Motion Sickness and it’s easy to see from the get go that we’re in for a rowdy night. Keeping the high energy rolling with Gold Steps and Smooth Seas Don’t Make Good Sailors, usually I would say that these were crowd favourites but it seemed like every song Neck Deep performed was a crowd favourite.

With an abundance of originals under their belt it’s odd to see a cover thrown in to the set, but this is no ordinary cover, Neck Deeps’ cover of Torn – which is best known as the debut single of Natalie Imbruglia – was part of the Songs That Saved My Life compilation album by Hopeless Records.
Easily one of my personal favourites from Neck Deep has to be Kali Ma, seeing it live and watching the boys up on stage bouncing around never gets old. Taking a moment to talk about how their first ever international tour was to Australia before getting in to some of the heavier songs of the night. Encouraging their sold out crowd to open up the pit for Citizens Of Earth and Don’t Wait. With the departure of their bass player earlier this year, they definitely haven’t let that slow them down in the slightest.

Joking about how this is going to be the last song but we all know how encores work, before finally playing what they proclaim to be “the most important Neck Deep song”, In Bloom. Such a beautiful thing to see a room full of hundreds of people come together and sing along to such an amazing song.
Back for their encore, Sam gets ambushed with a shoey and we all get rowdy forCan’t Kick Up The Roots. Not only was this the last Australian show, but it was also the last night for their tour manager Ian Koletsis who has been with Neck Deep for the last 5 years. After many thanks to their whole team, Ben dedicatesWhere Do We Go When We Go to Ian. With everyone screaming along to the “pain, pain, go away…” Neck Deeps’ “Straya Tour” was certainly one to remember.

With 2018 coming to a close, I think it’s safe to say that Neck Deep is in the top 3 of my favourite concerts this year. Not only do they put on one hell of a show full of energy but last nights Melbourne show had possibly the best sound quality ever. Taking some much deserved time off with only a handful of dates announced for next year, I’m excited to see what Neck Deep have coming for us next, I have high hopes and I doubt they’ll disappoint.

Monday, December 10, 2018

Album review: C FOR CAROLINE ‘Headstrong Heartstrong’

‘Headstrong, Heartstrong’ by C for Caroline is ‘Wunderbar!’ You may feel ‘Freudentränen’ upon hearing this album! You must check this album out, the perfect album for summer! Warm nights of cruising and days on the beach!

C for Caroline, the hi energy 3 piece Pop punk band from Hanover, Germany is creating colour pop waves!!  They first burst onto the music scene in 2007. After reaching the semi-final at the Emergenza band contest, a demo was recorded In Berlin.  In 2008, the band starts playing at many concerts and festivals kicking their career right off. An EP follows in 2013 called ‘Ready to go’. They then started working on their ripper first full length album in 2016.

As soon as I heard this album I thought Blink 182 and Green Day vibes. Good Charlotte.  Wheatus. Very Americana – targeting a teenage audience.  Their first song released off their album is ‘The Greatest Story’ (ever told) and I am sure it is going to be a world wide smash hit. Their new album ‘Headstrong, Heartstrong’  has been sending positive vibes all over Germany right now, so it is only a matter of time before their music kicks off around the globe. Germany has the third largest music market in the world according to 2017 data so I was expecting music that was catchy! Also rock and pop music is the most popular of music genres in the country.
Their website is a colour pop feast representing the energy of their music. Love the album cover and also the strong branding on the C for Caroline merchandise. I think I might buy a t-shirt too for band rehearsals!!

TRACK BY TRACK
Break Of Dawn : High energy, fun rock vibes punchy percussion. Strong, catchy vocals from singer, Dean.
Be My Caroline : Hard punk rock love song with rocking riff. Very catchy sing a long Californian sound.
On The Dancefloor : Love this song. Intro is great. Catchy tune. Guitar is fabulous. Will be a hit. Clever songwriting.
The Greatest Story (Ever Told) : Powerful potential chart topper. So catchy. Effective songwriting, easy to sing a long to.  Summer anthem! Full of energy. The heart of the album! Certainly feels Headstrong! Heartstrong! Pop punk track. Will be massive around the world. Incredibly infectious. Great three minute party song or end of year break up song for the schoolies. Love the music video with the Volkswagen, a sure sign it is a German band and not an American band as they sound!
See The Light : Punk Rock song. Love the drums. Another catchy track. Great outro.
Waves Of Adrenaline : EPIC!! Love the opening modern sounds and rocking riff. Pure punk rock. A song with a difference. Love the drums from Jan and vocals with distortion and echos. Musically very interesting. Groovy. Digging the songwriting. A little raunch thrown in. This is going to be a massive HIT. How many times have I listened to this song?!! I totally love it.
Ashes : Acoustic guitar softer sound on the intro, then full throttle punk with electro sounds. Ripper guitar solo from Julian. Love the outro.
Neon : Cool song with disco electro dance vibes and a great dance number. Catchy track, love the ending.
Stay Gold Forever :  Great intro. Infectious song.  A little profanity thrown in. Love the drumming
Hero For A Day :  Very punk heavy on the drums. Super fast tempo, cool and punchy. Pop section with keys. Chart topper potential.

Single review: PHIL EDWARDS BAND ‘Cabin In The Woods’

After taking a short break following their debut releases, the hit single Crash and their album Slow Borders, the Phil Edwards Band have resurfaced with a line-up change, a bunch of new tunes and a fresh lease of life, which is evident on this new single Cabin in the Woods. This single is a marked progression from their earlier material, whose style was summery and a little more pop orientated, and although the same instrumentation is in place—guitar, bass, drums, vocals—there is new layer threaded through the music. It’s no less gentle and delicate but feels in some ways weightier, as though a new level of intimacy has been appropriated.
The song’s lyric can be best described as a meditation on the joys of living a simple life and reconnecting with nature. The idea of reconnecting with nature is used here as a metaphor regarding the connection to another person. With a less interesting and arresting voice such an idea might come off as conventional, but Phil Edwards’ vulnerable sounding timbre and his intensely confidential tone reveal a sincerity which helps embolden the rest of the band’s performance. There is a sombre lilt to his voice also, and this never detracts but rather adds yet another substratum to the band’s overall sound. The result is a record that is less like the pop-fused folk tunes of a Jack Johnson and Jason Mraz and more in line with alt-indie folk rock like Fleet Foxes and Ben Howard.
The song’s chord structure may lean more towards country but when blended with all the other elements a far richer sonic palette is created, both accessible and enigmatic. No doubt radio and streaming platforms will jump on this, if not for the exposed intimacy and soothing cadences of Phil Edwards’ vocals then for the universal appeal of the authentic, earthy nature of the band’s music.

PEB consists of Phil Edwards, Adrian Ashdown, Callum Goldie and Graham Bell. Their live set brings together elements of blues, funk, reggae and country, all with an honest soulful vibe that’s easy to move to and hard to forget.
Established in 2008, the band spent four years travelling across Australasia, performing at festivals such as Rhythm and Vines, Melbourne Moomba Water Festival, Blues Brews and Barbecues and the Whangamata Summer Festival.
The band’s 2010 debut single ‘Crash’ hit the ears of thousands and gained an A rotation on More FM. The same year also saw the release of PEB’s first album, “Slow Borders”, mixed by Dave O’Donnell (John Mayer, James Taylor, Keith Richards).
OE’s took over and after a short two year hiatus, PEB are back hitting the ground running. As momentum builds for the band, they’ve been busy in the studio working on their second album and a number of music videos. The upcoming album is being mixed by lauded New Zealand singer/songwriter, and winner of the 2016 Silver Scroll award for his song ‘If I Move to Mars’, Thomas Oliver.

Live Review: NO QUARTER: HAMMER OF THE GODS (A TRIBUTE TO THE LED ZEPPELIN LEGACY) @ THE NEWPORT HOTEL

From the moment the group step on stage, you know this is going to be a trip back in time. The four band members who present world-famous Led Zeppelin cover show No Quarter: Hammer of the Gods are dressed just like Zeppelin would have been in the 1970s, with their long, flowing hair, loud shirts and tight flared jeans. No Quarter start the night with the distinctive chords of Immigrant Song, a strong start to an explosive set.
No Quarter’s “Robert Plant,” Michael Anderson, shares many snippets of information about Led Zeppelin as they cycle through their albums, which adds a nice touch to the show. He is not a direct replica of Robert Plant; rather, he makes the role and vocals especially his own. He is constantly moving, either behind the microphone or to the side, clicking his fingers and rocking to the music. He starts telling us all the places they have toured down the west coast of the US, which seems a bit corny, but then it all becomes clear when he says they were “Going to California,” and they launch into the soothing opening chords of the song from the Led Zeppelin IV album.
Then the sound goes acoustic for Bron-Y-Aur Stomp, a Celtic-inspired song that was written while Led Zeppelin stayed in a cottage by the name of Bron-Y-Aur in Machynlleth, Wales. It is an intimate moment in the set that feels like being transported to an Irish folk or ‘trad’ gig. Everyone claps and stomps along, as the band play on acoustic guitars and sit on stools. After this, it is back to hard rock and roll.

Byran Christiansen replicates wonderfully the deft fingers and well-rehearsed skill that Jimmy Page’s guitar-playing is famous for. He unleashes the crowd with another awesome visual with a solo in which he plays his electric guitar with a violin bow. Christiansen plays so intensely you can actually see the horse hairs peeling off the bow and onto the floor.
Anderson’s voice is amazing on Stairway to Heaven, which he prefaces as “the most beautiful song ever written.” As he rises to the highest note, I can feel the hairs rising on my arms. Hearing Stairway to Heaven live is undoubtedly a magical experience.
They say goodbye and then play Whole Lotta Love. No Quarter’s answer to Jimmy Page, Brian Christiansen, plays the theremin on this number. The theremin is an electronic stick of an instrument which generates tone with oscillators and requires the performer to move his hand towards and away from the instrument to create a twanging sound like that of an electric guitar hitting its highest notes. If you are confused by that explanation, definitely find a video online, it is very cool to watch!

The band come back for the encore, a thundering rendition of Kashmir from the Physical Graffiti album. The song is an anthem to finish on.
Hailed as “the best Led Zeppelin band on the planet” by Paul McCartney’s producer, Dennis D’Amico, this show is the ultimate Led Zepp experience. I cannot imagine any fan being disappointed in this show, except perhaps that No Quarter cannot possibly play every song people are hoping for! Impressively, they play for two and a half hours, and of course still don’t have the time to play countless huge tracks. No Quarter: Hammer of the Gods is a Led Zeppelin nostalgia-fest, with all the elements needed to honour the greatest rock and roll band in the world.

Live Review: BON JOVI + BIRDS OF TOKYO @ ANZ Stadium

The night has desired Sydney Siders who have sat tight for This house isn't available to be purchased visit to achieve our shores. It has been a long time since Bon Jovi visited Australia and you can feel the power of energy working as time taps on for the ongoing lobby of popularity inductees to hit the stage.

ANZ Stadium is loading up with energetic fans, many are lining for the show shirt's to wear amid the show and years to come. Running from all ages from the individuals who haven't missed a solitary visit since Slippery When Wet in 1987 to the more up to date fans that Bon Jovi gain with each new collection they discharge.

First to show up in front of an audience from Perth WA Birds Of Tokyo playing a considerable lot of their hits including Brace, Plans, and Anchor. Ian Kenny and co at that point played another melody pursued by the ever mainstream Unbreakable the tune picked as the subject for the 2018 Invictus Games as of late held in Sydney. Completing their set with fan top choices This Fire and Lanterns, Birds of Tokyo never frustrate.

Soon after 8pm the expectation is finished and here comes Bon Jovi. With the band in front of an audience Jon Bon Jovi enters the arena by means of a side passage like a prized contender as he's punching the air getting siphoned up for a night of shake n roll. Jon welcomes energized fans en route by means of the pit giving high fives and embraces to those lucky to be in his way while in transit to the stage. He gets a monstrous thunder from the Sydney swarm as he remains in front of an audience, Bon Jovi have arrived.

Jon wearing dark pants, red shirt completed off with a blue zipped coat with Bon Jovi's work of art and immortal Heart and Dagger logo urges fans to get up out of their seats as they open with 'You Give Love A Bad Name'. Jon is raring to go as they play 'Raise Your Hands'. The Sydney swarm are all on their feet prepared to shake the night away. The band at that point play 'Lost Highway' from the equivalent titled collection discharged in 2007. Before the following melody Jon says "Great to see ya it's been far too long, gotta part of getting up to speed to do" as they play 'Who Says You Can't Go Home'.

Bon Jovi are working their way through old and new melodies with 'This House Is Not For Sale', 'Crazy ride', 'We Weren't Born To Follow', and 'We Don't Run'. Fans are moving and singing to their top picks. Jon says to the group that he's simply getting ready which the band at that point dispatches into 'It's My Life'.

Jon stops and takes in the warm gathering by the Sydney swarm, grinning he says "Parcels occurred over the most recent a long time since we came to Australia out of the blue". Jon stops glances back at David Bryan, Tico Torres and whatever is left of the band he keeps saying "Tune in to those individuals 31 years after we came to Australia". Jon is glad and radiating as the jam emits in cheers and praise.

Tunes to pursue are 'God Bless This Mess', 'Destined To Be My Baby', 'Have A Nice Day', 'Keep The Faith' the lead track from their 1992 collection of a similar name and after that 'Luxurious situation'. Jon probably won't have the capacity to hit those high notes of the 80's nevertheless he beyond any doubt sings with so much vitality and enthusiasm that fans have appreciated for a long time.

Jon asks the group "My siblings and sisters would you say you are still with me out there? I gotta know whether you have the confidence, on the off chance that you trust, I gotta know whether you're prepared to go to chapel on a Saturday night?" Leading into 'Lay Your Hands On Me' from Bon Jovi's 1988 collection New Jersey.

'I'll Sleep When I'm Dead' is next trailed by 'Commander Crash and The Beauty Queen from Mars' off their seventh studio collection Crush. Completing off this set with their song of praise Livin On A Prayer at that point leaving the phase with the group needing more.

Not requiring excessively support to return in front of an audience by energetic fans that their reprise begins with 'Awful Medicine', trailed by an enormous most loved among many 'Needed Dead Or Alive', completing with 'I'll Be There For You'. Bon Jovi are not done yet they returned for additional with a second reprise of tunes 'Blood on Blood' and 'Some time or another I'll Be Saturday Night'.

It was a night of numerous hits, vitality and enthusiasm.